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New Bucks, Old Bucks, Big Bucks
![]() George Washington |
![]() Great Seal of the United States |
![]() Thomas Jefferson |
![]() Declaration of Independence |
![]() Abraham Lincoln |
![]() Lincoln Memorial |
![]() Alexander Hamilton |
![]() U.S. Treasury Building |
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![]() William McKinley |
![]() Ornate "500" |
![]() Grover Cleveland |
![]() Ornate "1,000" |
![]() James Madison |
![]() Ornate "5,000" |
![]() Salmon Chase |
![]() Ornate "10,000" |
Three types or classes of U.S. paper currency are in use
today. The most numerous--accounting for 99 percent of the total value in
circulation--are Federal Reserve Notes. Most of the remainder are United States
Notes and Silver Certificates, which are occasionally seen but are no longer
produced.
The designation of the class to which the note belongs appears on the upper
center of its face. Each type is identified by the distinctive color of its
Treasury seal and serial numbers. On Federal Reserve Notes these are green, on
United States Notes they are red, and on Silver Certificates they are blue.



Each denomination, regardless of class, has a prescribed
portrait and back design selected by the Secretary of the Treasury.
Notes of the $500, $1,000, $5,000, and $10,000 denominations have not been
printed for many years and are being withdrawn from circulation. The portraits
appearing on these notes are: McKinley on the $500, Cleveland on the $1,000,
Madison on the $5,000, and Chase on the $10,000.
The public has a role in maintaining the
integrity of our currency. You can help guard against the threat from
counterfeiters by becoming more familiar with United States currency.
Look at the money you receive. Compare a suspect note with a genuine note of the
same denomination and series, paying attention to the quality of printing and
paper characteristics. Look for differences, not similarities.
The genuine portrait appears lifelike and
stands out distinctly from the background. The counterfeit portrait is usually
lifeless and flat. Details merge into the background which is often too dark or
mottled.
On a genuine bill, the saw-tooth points of
the Federal Reserve and Treasury seals are clear, distinct, and sharp. The
counterfeit seals may have uneven, blunt, or broken saw-tooth points.
The fine lines in the border of a genuine
bill are clear and unbroken. On the counterfeit, the lines in the outer margin
and scrollwork may be blurred and indistinct.
Genuine serial numbers have a distinctive
style and are evenly spaced. The serial numbers are printed in the same ink
color as the Treasury Seal. On a counterfeit, the serial numbers may differ in
color or shade of ink from the Treasury seal. The numbers may not be uniformly
spaced or aligned.
Genuine currency paper has tiny red and blue
fibers embedded throughout. Often counterfeiters try to simulate these fibers by
printing tiny red and blue lines on their paper. Close inspection reveals,
however, that on the counterfeit note the lines are printed on the surface, not
embedded in the paper. It is illegal to reproduce the distinctive paper used in
the manufacturing of United States currency.
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The New Color of Money: Safer, Smarter, More Secure. In keeping with the strategy of maintaining the security of our currency by enhancing the designs every 7 10 years, a new series of U.S. currency will be issued, beginning with the $20 note later this year, followed by the $50 and $100 notes 12 18 months later. For more information about the new currency designs, please click here.
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| One Dollar Note George Washington |
One Dollar Note Great Seal of the United States |
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| Two Dollar Note Thomas Jefferson |
Two Dollar Note The Declaration of Independence |
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| Five Dollar Note Abraham Lincoln |
Five Dollar Note The Lincoln Memorial |
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| Ten Dollar Note Alexander Hamilton |
Ten Dollar Note U.S. Treasury |
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| Twenty Dollar Note Andrew Jackson |
Twenty Dollar Note The White House |
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| Fifty Dollar Note Ulysses S. Grant |
Fifty Dollar Note U.S. Capitol |
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| One Hundred Dollar
Note Benjamin Franklin |
One Hundred Dollar Note Independence Hall |
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Vignette on the Reverse of the $5 Note
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The vignette on the reverse of the five-dollar note depicts a likeness of the
face of the Lincoln Memorial as it appeared in 1922 when it was first dedicated.
At that time, there were only 48 states that made up the United States of
America. The names of 26 states were engraved on the front of the Memorial. This
is why only the names of 26 states appear in the vignette on the reverse of the
five-dollar note. In the upper frieze of the façade in the vignette the states
are from left to right: Arkansas, Michigan, Florida, Texas, Iowa, Wisconsin,
California, Minnesota, Oregon, Kansas, West Virginia, Nevada, Nebraska,
Colorado, and North Dakota. In the lower frieze from left to right the names of
the states are: Delaware, Pennsylvania, New Jersey, Georgia, Connecticut,
Massachusetts, Maryland, Carolina, New Hampshire, Virginia and New York.
Autos on the Back of $10 Notes
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The engraved die of the Treasury Building vignette was completed in the early
part of December 1927. The engraver was Louis S. Schofield. There are four cars
included in this vignette. These cars are of no specific make or model and each
one is a creation of the designer who prepared the original model which was
later used by Mr. Schofield when he made the original hand-engraved die of this
vignette.
It would not be possible to have specific makes of automobiles engraved on the
Treasury vignette for the $10 bill, which would be a composite model, without
making it appear that we were sponsoring the product of one or another
automobile manufacturer. Legal requirements will not permit a government agency
to indicate its endorsement of a commercial firm or product. The four
automobiles engraved into this design are similar in appearance to various
models of cars being manufactured at that time. However, again, the cars in the
design are of no specific make or model.
$100 Note Fact Sheet
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The vignette on the back of the $100 note is Independence Hall in Philadelphia.
There are three people depicted in the engraving. Two (a man and a woman) are in
front of the hall close to the building; the third person is a man pictured
looking toward the building. There is no record that the man and woman are
embracing.
The hands of the clock are set at approximately 4:10. Although the time is not
readily identifiable to the naked eye, it may be verified if examined under
twenty-fold magnification. There are no records explaining why that particular
time was chosen.
As of May 31, 2003, of the $659,160,111,810 in total currency in worldwide
circulation, $469,345,519,400 is in the $100 denomination.
In God We Trust
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The use of the national motto on both U.S. coins and currency notes is required
by two statutes, 31 U.S.C. 5112(d) (1) and 5114(b), respectively. The motto was
not adopted for use on U.S. paper currency until 1957. It first appeared on the
1935G Series $1 Silver Certificate, but didn't appear on U.S. Federal Reserve
Notes until the Series 1963 currency. This use of the national motto has been
challenged in court many times over the years that it has been in use, and has
been consistently upheld by the various courts of this country, including the
U.S. Supreme Court as recently as 1977.
The Department of the Treasury and the Department of Justice intend to actively
defend against challenges to the use of the national motto. In 1992, a challenge
was filed and successfully defeated in the U.S. District Court for the District
of Maryland.
History of 'In God We Trust' Source: US Treasury
The motto IN GOD WE TRUST was placed on United States coins largely because of
the increased religious sentiment existing during the Civil War. Secretary of
the Treasury Salmon P. Chase received many appeals from devout persons
throughout the country, urging that the United States recognize the Deity on
United States coins. From Treasury Department records, it appears that the first
such appeal came in a letter dated November 13, 1861. It was written to
Secretary Chase by Rev. M. R. Watkinson, Minister of the Gospel from Ridleyville,
Pennsylvania, and read:
Dear Sir: You are about to submit your annual report to the Congress respecting
the affairs of the national finances.
One fact touching our currency has hitherto been seriously overlooked. I mean
the recognition of the Almighty God in some form on our coins.
You are probably a Christian. What if our Republic were not shattered beyond
reconstruction? Would not the antiquaries of succeeding centuries rightly reason
from our past that we were a heathen nation? What I propose is that instead of
the goddess of liberty we shall have next inside the 13 stars a ring inscribed
with the words PERPETUAL UNION; within the ring the allseeing eye, crowned with
a halo; beneath this eye the American flag, bearing in its field stars equal to
the number of the States united; in the folds of the bars the words GOD,
LIBERTY, LAW.
This would make a beautiful coin, to which no possible citizen could object.
This would relieve us from the ignominy of heathenism. This would place us
openly under the Divine protection we have personally claimed. From my hearth I
have felt our national shame in disowning God as not the least of our present
national disasters.
To you first I address a subject that must be agitated.
As a result, Secretary Chase instructed James Pollock, Director of the Mint at
Philadelphia, to prepare a motto, in a letter dated November 20, 1861:
Dear Sir: No nation can be strong except in the strength of God, or safe except
in His defense. The trust of our people in God should be declared on our
national coins.
You will cause a device to be prepared without unnecessary delay with a motto
expressing in the fewest and tersest words possible this national recognition.
It was found that the Act of Congress dated January 18, 1837, prescribed the
mottoes and devices that should be placed upon the coins of the United States.
This meant that the mint could make no changes without the enactment of
additional legislation by the Congress. In December 1863, the Director of the
Mint submitted designs for new one-cent coin, two-cent coin, and three-cent coin
to Secretary Chase for approval. He proposed that upon the designs either OUR
COUNTRY; OUR GOD or GOD, OUR TRUST should appear as a motto on the coins. In a
letter to the Mint Director on December 9, 1863, Secretary Chase stated:
I approve your mottoes, only suggesting that on that with the Washington obverse
the motto should begin with the word OUR, so as to read OUR GOD AND OUR COUNTRY.
And on that with the shield, it should be changed so as to read: IN GOD WE
TRUST.
The Congress passed the Act of April 22, 1864. This legislation changed the
composition of the one-cent coin and authorized the minting of the two-cent
coin. The Mint Director was directed to develop the designs for these coins for
final approval of the Secretary. IN GOD WE TRUST first appeared on the 1864
two-cent coin.
Another Act of Congress passed on March 3, 1865. It allowed the Mint Director,
with the Secretary's approval, to place the motto on all gold and silver coins
that "shall admit the inscription thereon." Under the Act, the motto was placed
on the gold double-eagle coin, the gold eagle coin, and the gold half-eagle
coin. It was also placed on the silver dollar coin, the half-dollar coin and the
quarter-dollar coin, and on the nickel three-cent coin beginning in 1866. Later,
Congress passed the Coinage Act of February 12, 1873. It also said that the
Secretary "may cause the motto IN GOD WE TRUST to be inscribed on such coins as
shall admit of such motto."
The use of IN GOD WE TRUST has not been uninterrupted. The motto disappeared
from the five-cent coin in 1883, and did not reappear until production of the
Jefferson nickel began in 1938. Since 1938, all United States coins bear the
inscription. Later, the motto was found missing from the new design of the
double-eagle gold coin and the eagle gold coin shortly after they appeared in
1907. In response to a general demand, Congress ordered it restored, and the Act
of May 18, 1908, made it mandatory on all coins upon which it had previously
appeared. IN GOD WE TRUST was not mandatory on the one-cent coin and five-cent
coin. It could be placed on them by the Secretary or the Mint Director with the
Secretary's approval.
The motto has been in continuous use on the one-cent coin since 1909, and on the
ten-cent coin since 1916. It also has appeared on all gold coins and silver
dollar coins, half-dollar coins, and quarter-dollar coins struck since July 1,
1908.
A law passed by the 84th Congress (P.L. 84-140) and approved by the President on
July 30, 1956, the President approved a Joint Resolution of the 84th Congress,
declaring IN GOD WE TRUST the national motto of the United States. IN GOD WE
TRUST was first used on paper money in 1957, when it appeared on the one-dollar
silver certificate. The first paper currency bearing the motto entered
circulation on October 1, 1957. The Bureau of Engraving and Printing (BEP) was
converting to the dry intaglio printing process. During this conversion, it
gradually included IN GOD WE TRUST in the back design of all classes and
denominations of currency.
As a part of a comprehensive modernization program the BEP successfully
developed and installed new high-speed rotary intaglio printing presses in 1957.
These allowed BEP to print currency by the dry intaglio process, 32 notes to the
sheet. One-dollar silver certificates were the first denomination printed on the
new high-speed presses. They included IN GOD WE TRUST as part of the reverse
design as BEP adopted new dies according to the law. The motto also appeared on
one-dollar silver certificates of the 1957-A and 1957-B series.
BEP prints United States paper currency by an intaglio process from engraved
plates. It was necessary, therefore, to engrave the motto into the printing
plates as a part of the basic engraved design to give it the prominence it
deserved.
One-dollar silver certificates series 1935, 1935-A, 1935-B, 1935-C, 1935-D,
1935-E, 1935-F, 1935-G, and 1935-H were all printed on the older flat-bed
presses by the wet intaglio process. P.L. 84-140 recognized that an enormous
expense would be associated with immediately replacing the costly printing
plates. The law allowed BEP to gradually convert to the inclusion of IN GOD WE
TRUST on the currency. Accordingly, the motto is not found on series 1935-E and
1935-F one-dollar notes. By September 1961, IN GOD WE TRUST had been added to
the back design of the Series 1935-G notes. Some early printings of this series
do not bear the motto. IN GOD WE TRUST appears on all series 1935-H one-dollar
silver certificates.
The Great Seal of the United States
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The Great Seal was first used on the reverse of the $1 Silver Certificate in
1935. The Department of State is official keeper of the Seal. Symbolically, the
seal reflects the beliefs and values that the Founding Fathers attached to the
new nation and wished to pass on to their descendants. Charles Thompson
(Secretary of Congress - 1782) explained the obverse side of the seal this way:
The red and white stripes of the shield "represent the several
states...supporting a [blue] Chief which unites the whole and represents
Congress." The colors are adopted from the American flag: "White signifies
purity and innocence, Red, hardiness & valor, and Blue, the colour of the Chief,
signifies vigilance, perseverance & justice." The shield, or escutcheon, is
"born on the breast of an American Eagle without any other supporters to denote
that the United States of America ought to rely on their own Virtue."
The number 13, denoting the 13 original States, is represented in the bundle of
arrows, the stripes of the shield, and the stars of the constellation. The olive
branch and the arrows "denote the power of peace and war." The constellation of
stars symbolizes a new nation taking its place among other sovereign states. The
motto E Pluribus Unum, emblazoned across the scroll and clenched in the eagle's
beak, expresses the union of the 13 States. Recent scholarship has pointed out
the probable source of this motto: Gentleman's Magazine, published in London
from 1732 to 1922, was widely read by the educated in the American Colonies. Its
title page carried that same motto and it is quite possible that it influenced
the creators of the seal.
The reverse, sometimes referred to as the spiritual side of the seal, contains
the 13-step pyramid with the year 1776 in Roman numerals on the base. At the
summit of the pyramid is the Eye of Providence in a triangle surrounded by a
Glory (rays of light) and above it appears the motto Annuit Coeptis, or "He
(God) has favored our undertakings." Along the lower circumference of the design
appear the words Novus Ordo Seclorum, or "A new order of the ages," heralding
the beginning of the new American era in 1776.
The Production Process
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Engraving Production of United States paper currency is not an easy or
simple task, but one that involves over 65 separate and distinct steps in the
production process. Money begins with the hand-engraved piece of soft steel,
known as a master-die. Separate portions of the design, such as the portrait,
the vignette, the ornamentation, and the lettering are hand-cut by the
engravers. If you look closely at a currency note, you will notice that the
portrait consists of numerous fine lines, dots and dashes which vary y in size
and shape. The magnificent artistry and skill of the engraver bring the portrait
to life. The process of engraving is the first step in a unique printing
technique known as intaglio printing.
Siderography
In simplest terms, siderography is the means by which multiple images of the
hand-engraved die are transferred to a printing plate. The original dies are
stored and transferred to a printing plate. The original dies are stored and if
necessary may be used again and again. For example, the Lincoln portrait on the
five dollar note was originally engraved in 1869, but can still be used today in
the production of a five dollar note.
Plate Making
The master die is subjected to tremendous pressure, heated and an impression of
the die is taken. An alto and/or relief (a raised image of the die) is cast in
plastic. Multiple plastic images of the various components (such as the
decorative scrollwork) of the note are made, fitted and welded into the
necessary plate configuration consisting of thirty-two notes. Plastic altos are
placed in an electrolytic tank and are used to produce a series of plates, which
are then cleaned, polished, and carefully inspected by an engraver. If the
plates pass the scrutiny of the engraver, the final chromium coated basso
(recessed image) plate is made and another multiple subject intaglio plate is
ready to place on the printing press.
Printing
The Bureau prints currency on high-speed, sheet-fed rotary presses, which are
capable of printing over 8,000 sheets per hour. Each sheet is forced, under
extremely heavy pressure (estimated at 20 tons), into the finely recessed lines
of the plate to pick up the ink. The printing impression is three dimensional in
effect and requires the combined handiwork of highly skilled artists, bank note
engravers, and plate printers. The surface of the note feels slightly raised,
while the reverse side feels slightly indented. The backs of the notes are
printed with green ink, allowed to dry for 24 to 48 hours. The faces are then
printed with black ink and also allowed to dry.
Examining
Each stack of 32-subject sheets is cut in half and each side is examined for
defects. If the sheet meets the examiner's inspection standards, it is then
ready for numbering and processing on the Bureau's overprinting and processing
equipment.
Overprinting
A letterpress overprints with black ink the Federal Reserve District seal and
its corresponding number designation. It then overprints the Treasury seal and
serial numbers in green ink. Two guillotine cutters slice the notes into two
note units (100 sheets at a time) and finally into single stacks of one-hundred
notes. The units of 100 notes are banded and packaged into "bricks" containing
40 units; each "brick" contains 4,000 notes. The bricks are distributed to one
of the twelve Federal Reserve Districts, which issue the notes to local banks.
If a finished note is found to be imperfect after it has been overprinted, it is
replaced with a "star note". In design, star notes are exactly like the notes
they replace, but they can carry an independent series of serial numbers. The
star appears after the serial number in place of the suffix letter on Federal
Reserve notes. The serial number of the imperfect note is not used again in the
same number sequence.
Portraits and Designs on U.S. Currency
The design features on our currency have historical and idealistic significance,
but may not include the likeness of a living person, and do not have sectarian
significance. The design of paper currency, as well as the material used in its
production, is determined by the Secretary of the Treasury.
Source for most of the content on this page: US Secret Service